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tippy('#footnote_plugin_tooltip_1524_1_11', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_11').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The rise of "southern" gospel emerged in response to a network of cultural tensions, social conflicts, and religious instabilities.12These longstanding conflicts precede the twentieth century. (Jennifer Jones, "Natalie Grant Responds after Leaving Grammys Early," Christianitytoday.com, January 29, 2014, accessed January 31, 2014, http://www.christiantoday.com/article/mass.wedding.at. In addition, "many of the characteristics and stereotypes considered [representative of Arkansas as a whole]," Blevins concludes, are "extensions of broader regional and cultural images" applied by others to Arkansans.57Blevins, Arkansas/Arkansaw, 39, 9. tippy('#footnote_plugin_tooltip_1524_1_57', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_57').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Arkansas is not unique in being treated as the home of the benighted white southerner, redneck, or hillbilly, and the Arkansas imaginary is but one sort of white, working class, rurality. "8Stephen Shearon, Harry Eskew, James C. Downey, and Robert Darden, "Gospel Music," Grove Music Online, July 10, 2012, accessed October 15, 2013,http://www.oxfordmusiconline.com/subscriber/article/grove/music/A2224388. Gaither Gospel Series DVD cover. Joyce Martin Sanders is listed in the credits for the following albums: Year Artist Album Role ; 2013: Jason Crabb: Love Is Stronger: Guest Vocals : Joyce Martin Sanders. The history and role of bluegrass, old-time, and mountain musics, particularly songs with pietistic lyrics that have found a home in southern gospel, is understudied. Goff, Close Harmony, 264282, traces these and other important bluegrass groups in southern history. When and where did baseball player Bob Joyce die? From Arkansas With Love demonstrates southern gospel's influence. However, a 1993 appearance on the Gaither Homecoming series helped transform The Martins from an avocational regional trio into a professional act with a national following in fundamentalist Christian entertainment. Shearon, Stephen, Harry Eskew, James C. Cowney, and Robert Darden. But I'll say this: I've never been more honored to sing about Jesus and for Jesus. For branding of the natural state, see Arkansas.com, Arkansas Department of Parks and Tourism, accessed October 15, 2013, http://www.arkansas.com. Jonathan Martin and his wife, Dara, live in Des Moines with their six children (Craig Harris, ", In the 1990s and early 2000s, Gaither Homecoming was popular on the now-defunct TNN cable channel. For a fuller discussion of "southern" as a racial signifier and readings of race and white gospel see Harrison, Then Sings My Soul, 96103. Fayetteville: University of Arkansas Press, 2009. Recording companies experienced similar contractions. Then Sings My Soul: The Culture of Southern Gospel Music. The Martin kids are still singing | Entertainment - LancasterOnline The camera cuts back and forth between The Martins and Gaither, occasionally taking in the four of them in a wide shot. There was no love lost between southern gospel and the "Queen of Christian Pop" to begin with, but after Grant's rise to fame, she became a galvanizing symbol for southern gospel of cultural accommodation run amok in doctrinally compromised music. Certainly there are southern and rural imaginaries writ large and available for scholarly scrutiny. Home News Random Article Install Wikiwand Send a suggestion Uninstall Wikiwand Our magic isn't perfect Judy Martin Hess lives in Columbus, Georgia with her husband Jake Hess Jr, and their four children. tippy('#footnote_plugin_tooltip_1524_1_8', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_8').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); So it is tempting to assume that the emergence of "southern" to describe the music since the 1960s matters only as an unsubtle substitute for the more racially antagonistic "white." Recording companies experienced similar contractions. The videos still air regularly on many local-access religious television channels, but sales today are largely driven through merchandizing at concerts, the Gaither Homecoming Magazine, syndicated radio shows on terrestrial and satellite radio, and not least of all through the Gaither online store. The overwhelming majority of fans and professionals in contemporary southern gospel are white Christians who are "culturally southern, socially conservative, and Anglo-American. For them, Gaither's interview effectively constructs and encourages audiences to see in The Martins representative, unifying figures of white, evangelical populism whose home is, as Bethany Moreton has shown in her study of Wal-Mart and evangelicalism, the Ozarks of northern Arkansas and south-central Missourithe literal geographic location in which Gaither's colloquy imaginatively relocates The Martins. Fortunately, new and forthcoming work in the study of southern gospel is beginning to scrutinize Gloria Gaither's role as a Christian entrepreneur, thinker, and writer much more closely. Decade. Pamela Fox has noted that "while academia has for the most part abandoned the authentic as any kind of meaningful analytic category," the vernacular music of southern, white, rustic life and experience has "tended to preserve it. tippy('#footnote_plugin_tooltip_1524_1_27', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_27').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true });And it is that, to a certain extent. With respect to The Martins, the same music on an album titled From Hyde Park With Love, or even From Hilton Head With Love, would likely not be considered southern gospel by most of its intended audiences. The Martins's family narrative emphasizes anti-modern, unsophisticated, and materially modest childhoods, reinforced with a washed-out photo of the family's ramshackle cabin. "The Gospel Church and the Ruining of Gay Lives: An Interview with Anthony Heilbut," interview by Douglas Harrison. Mud, set in the Arkansas Mississippi River Delta, powerfully evokes the fluidity of class, ethnicity, and geography as defining features of identity in a region where the flux of life is so heavily dependent on, shaped by, and intertwined with the flow of the river. Joyce Martin-Sanders - Biography - IMDb The Martins - Wikipedia The American Spirit: Who We Are and What We Stand For (2017) is a collection of McCulloughs speeches. The Martins appear to possess an unadorned, God-given popularity that abides in their embodiment of white tradition and progress. She keeps it real and points the way out of despair with an admonishing heart. 'Cause it's worth every . "Home" functions primarily in southern gospel as a meaning-making tool for experience in this life, not the next. To Serve God and Wal-Mart. tippy('#footnote_plugin_tooltip_1524_1_40', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_40').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); while emphasizing cultural texts and discourses. This movement was popular among (though not exclusive to) non-denominational evangelical megachurches. tippy('#footnote_plugin_tooltip_1524_1_63', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_63').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); In considering The Martins's arrival "From Arkansas With Love," I have demonstrated how a network of religious, geographic, and cultural associations merge in the construction of imagined place. tippy('#footnote_plugin_tooltip_1524_1_17', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_17').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Such an approach asks how southern gospel artists (most from beyond the state) use Arkansas's status as an imaginative resource to make sense of themselves and their music in late twentieth and early twenty-first century fundamentalist Protestantism.18I have in mind the period in American conservative and fundamentalist evangelicalism inaugurated by Richard Nixon's conjuring of the "silent majority" of cultural traditionalists who opposed the advance of liberal policies and social practices in the US. Who is Joyce Martin of the Martins married to? Gaither's questions establish Jonathan's lifelong love of "huntin'" as linked to his Arkansas adolescence. Heilbut notes that this vibrancy is driven by the rise of name-it-and-claim-it prosperity gospel in the black church, which is intensely homophobic and discourages its members from thinking in "broad sociological" categories in favor of a self-aggrandizing theology that links spiritual well-being with personal wealth (See "The Gospel Church and the Ruining of Gay Lives: An Interview with Anthony Heilbut," interview by Douglas Harrison, ReligionDispatches.com, July 30, 2013, accessed January 28, 2014, http://www.religiondispatches.org/books/culture/6221/the_gospel_church_and_the_ruining_of_gay_lives%3 A_an_interview_with_anthony_heilbut/; and Heilbut, The Fan Who Knew Too Much: Aretha Franklin, the Rise of the Soap Opera, Children of the Gospel Church, and Other Meditations [New York: Knopf, 2012]). "63Emphasis added. "I've many thoughts about the show tonight," she tweeted, "most of which are probably better left inside my head. It is difficult to lend much credence to this account unless Gloria Gaither's opinion and judgment plays a much more determinative role in the Gaither image and Homecoming productions than is generally allowed or assumed. DVD. "2Ibid., 2. tippy('#footnote_plugin_tooltip_1524_1_2', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_2').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This tradition is distinctive for its cultivation of close harmony sung in ensemblestraditionally male quartets, a formation that dominated the commercial sector of southern gospel through roughly the first half of the twentieth century, and more recently, mixed-gender foursomes and trios, often comprising family members.3Today's professional southern gospel includes many family and mixed gender foursomes and trios, configurations that were and are common in the singing convention world that dominated southern gospel in the late nineteenth century and early twentieth century. For more on the rise and spread of southern gospel regionally and nationally, see James R. Goff Jr., Close Harmony: A History of Southern Gospel (Chapel HIll: University of North Carolina Press, 2001), 50109; Don Cusic, The Sound of Light: A History of Gospel Music (Madison: Popular Press, 1990), 153162; 171176. The Martins Net Worth 2023: Wiki Bio, Married, Dating, Family, Height And I've never been more sure of the path I've chosen." Goff's remains the most extensive and influential account of southern gospel's market decline. This period was followed by the mobilization of right-leaning Protestants (and many conservative Catholics) into a political base for the Republican Party in the Reagan Era and a power base for evangelical leaders (including Jerry Falwell's Moral Majority, Pat Robertson'sand later Ralph Reed'sChristian Coalition, and, more recently, Donald Wildmon's American Family Association, and Tony Perkins's Family Research Council); and the not-entirely unrelated realignments within conservative and fundamentalist Protestantism wrought by the rise of non-denominational evangelical mega-churches and the Tea Party. Geography and biography merge in the Arkansas imaginary to redefine and authenticate The Martins's musical personae and southern gospel as a mode of fundamentalist and conservative evangelical experience. tippy('#footnote_plugin_tooltip_1524_1_46', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_46').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The paradox of The Martins's Homecoming reputation as masters of classic gospel hymnody and their much wider stylistic reach and renown before and beyond the Homecoming stage suggests that there is more to their appeal to southern gospel audiences than can be accounted for by their music. Here the Arkansas imaginary is in operation. Moreton, Bethany. Joyce Martin McCollough . Key figures include. For discussions of the Traveler trope see "The Arkansas Traveler" entries in the online resources of the Historic Arkansas Museum, accessed October 1, 2013, http://www.arkansas-traveler.org, and on Arkansas.com, Arkansas Department of Parks and Tourism. Just as significantly, while From Kentucky With Love, or From the Smoky Mountains With Love, would probably be received with the same warmth and enthusiasm that greeted The Martins's music, the precise structure of a Kentucky imaginary or a Smoky Mountain imaginary would be located in the meaning-making of those places. "Southern gospel" remains the preferred term in the study of white gospel music of the South. (See Harrison, Then Sings My Soul, 182183). Gaither's remark associates a universality to The Martins, who are legitimated by the origins their music is purported to transcend. Joyce Martin-Sanders is known for Gaither's Pond (1997). The Martins's success draws upon an Arkansas imaginary that features a racially unconflicted working-class identity as well as a constellation of musical associations, cultural affinities, and attitudes grounded in piety, rusticity, and close harmony. And see Jos Casanova, Public Religions in the Modern World (Chicago: University of Chicago Press, 1994). It is difficult to lend much credence to this account unless Gloria Gaither's opinion and judgment plays a much more determinative role in the Gaither image and Homecoming productions than is generally allowed or assumed. Spring Hill, 2005, CMD 1807. Lord, let it be so, not just a dream. May 19, 1970) lives in Clive, Iowa with his wife Dara Makohoniuk-Martin and their youngest three of six children, including twin boys, one of which has cerebral palsy. A fan's review of The Best of The Martins video on Amazon.com captures this dynamic succinctly: "I wouldn't consider the Martins southern gospel," the reviewer writes, "as their sound is more contemporary but they have a love of the Lord and that comes across strong in their work and their lives. Is Joyce Martin. The Martins's arrival on the national gospel scene participates in a familiar narrative of the country kids from Nowheresville, USA, making it big. This transformation left untouched only the Ozarks and Ouachita to the north and west. Jonathan Martin lives in West Des Moines, Iowa with his wife, and their six children, including twin boys, one of which has cerebral palsy. From Arkansas with Love: Evangelical Crisis Management and Southern Who is martin p joyce? She tells Bill, "you have to hear these kids sing." As one of three sibling members of the gospel group The Martins, she travels all over the place getting to do the thing she loves. After Grant's divorce from Gary Chapman, her symbolic function in southern gospel expanded to include the corrupting effect of musical compromises on personal morality and the heternormative family.Southern gospel's disdain of CCM can come off as a kind of "Sister Bertha Better Than You" self-righteousness.27Here, I am borrowing an image first popularized by Ray Stevens in "Mississippi Squirrel Revival," on He Thinks He's Ray Stevens (Universal, 1987, MCAC-5517). These were "places so divorced from the frenzied modernization of twentieth-century America" that they presented an easily caricatured type from which to generalize about the state as a whole.59Ibid., 516, 67. tippy('#footnote_plugin_tooltip_1524_1_59', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_59').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The conflation of The Martins's southern Arkansas bayou background with upstate Ozark hillbillyism emerges through the rhetoric of Bill Gaither as host and interlocutor. tippy('#footnote_plugin_tooltip_1524_1_3', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_3').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The seven-shape notational system (and culture) of songwriting, singing, and music education that took root in the southern uplands in the late 1800s has heavily influenced the music of southern gospel and its values.4Here, following Loyal Jones, "Southern Uplands" designates the regions and people of trans-Appalachia and extends eastward into the Piedmont and westward to the Ozarks. Taylor's development of the social imaginary builds on (but also departs from) Benedict Anderson, Imagined Communities (London: Verso, 2006).